Encounters




Mise en scène, staging, or confronting my sculpture with each other, 
or combine it with e.g. classical,  baroque , neorenaissance, or modern sculpture





 

Encounters


By using photos I confront one or more of my sculptures with other copies of my work, and with sculptures by others. I put pictures next to, or over each other to see what happens, how they influence each other. Sometimes there is a conscious connection between the works, for example in the case of Agamemnon and his war booty Kassandra, on their way from Troy to Mykene, on their way to Klytaimnestra, the vengeful wife of Agamemnon. I combined my sculpture of Agamemnon with a sculpture by the German sculptor Max Klinger (1857 – 1920), photographed in the Leopold Museum in Vienna. Hektor, the intended heir to the throne of Troy, who died in a battle with the Greek hero Achilles, is depicted twice. Woven in is the photograph of the sculpture of Andromache, his wife. The tragedy hides in the awareness of both of them about their fate and future suffering. Hektor was conscious of suffering defeat against the greatest hero of the Greeks. Andromache foresaw her fate, as a future widow with a young child who would not survive. 

 

Sometimes in the portfolio "Encounters" there is no direct narrative connection between the sculptures, but I hope that this connection arises in the image. An example is the photo of a nymph's head from the “Hygieia-spring” behind Hamburg City Hall, made by the German sculptor Joseph von Kramer (1841 – 1908). I have combined a nymph’s head with a head of Persephone, made by me. I call the duplication "Korai amongst each other". Young  girls they are, girls among each other. For me, it's all about meeting, about contrasting work, and about the added value of such a seemingly accidental encounter of strange couples. 

 

 

Persephone lost in 

Palais Daun-Kinsky Vienna






Left sculpture: Josef Kracker (1683 - 1733)

Right sculpture: Jos Letschert 

Photo collage

Stages of Artemis





Sculpture by Jos Letschert


Photo collage

Stages of Persephone





Sculpture by Jos Letschert


Photo collage

Sorrow 


Hektor and Andromache





Sculpture by Jos Letschert

Photo collage

Wrapped


Strange couples: 
Artemis and Telemachos






Sculpture by Jos Letschert


Photo collage

Hera and Demeter





Paul Egell (1691 - 1752), Demeter
Schlosspark Schwetzingen
Jos Letschert , Another (H)era 


Photo collage



Korai among themselves






Left sculpture: Hamburg Hygieia Fountain
Joseph von Kramer (1841-1908)

Right sculpture, Persephone, Jos Letschert



Photo collage

Kassandra and Agamemnon 


Just before being confronted 
with Klytaimnestra & co.





Left sculpture: Kassandra by Max Klinger 
(1857 - 1920)
Leopold Museum Vienna

Right sculpture: Agamemnon by Jos Letschert 


Photo collage

Artemis versus Artemis

Right sculpture: Artemis, 120 BC.
Kunsthistorisches Museum Wien

Left sculpture: Jos Letschert



Photo collage

Hekate meets Laura


A strange couple, but what means strange in mythology?

The right sculpture is made by Francesco Laurana (1430 - 1502). It belongs to the collection of the "Kunsthistorisches Museum" in Vienna. It is probably a female bust of Laura de Noves, the supposed Laura from Petrarch's poem, made around 1490 (marble and partially painted wax).


The left sculpture is Hekate, made by Jos Letschert. Hekate ruled over border areas. In his Theogony, the Greek author Hesiod  - active between 750 and 650 BC, around the same time as Homer - called her the most revered deity. She endowed her favorites with wealth and social success.




Photo collage

And you were always on my mind

Stages of Klytaimnestra and Agamemnon (A)


Klytaimnestra and Agamemnon, two of my sculptures, combined in one photo.  

Klytaimnestra never forgave her husband for sacrificing their daughter Iphigenia to obtain favorable winds from the gods for his expedition to Troy. She killed him after his return from Troy, together with his war booty Kassandra, the Trojan king's daughter.  Subsequently, their son Orestes killed his mother, at the urging of Elektra, also a daughter of the sad house of  Atreus.



Photo collage (A)

And you were always on my mind


Stages of Klytaimnestra and Agamemnon (B)



Klytaimnestra and Agamemnon, two of my sculptures, combined in one photo.  

The battle for Troy lasted ten years. All this time, Klytaimnestra struggled with the loss of her daughter Iphigenia and the deceptive role that her husband Agamemnon had played in it. It was always on her mind.

 





Photo collage (B)